Film production // StableState

Film production built to iterate.

Most production gives you one attempt. A shoot day, a crew, a single take at getting it right, and if it lands wrong you live with it. We built a production pipeline that treats revision as normal rather than expensive, so the work gets better instead of merely finished.

Schedule a consultation See the work
10Productions
12Pipeline stages
DaysNot weeks
GatedApproval before spend
What we make

Six formats, one pipeline

The same machinery underneath, tuned per format. Scope and cost differ by lane, so every quote is derived rather than guessed.

Narrative

Short films

Story pieces with real coverage: multiple shots, performance, score and a mix, cut to a declared timebase.

Music

Music videos

Performance and narrative coverage with character consistency across every shot. Built so an artist can cover a record rather than fund one single.

Paid social

Ads

Vertical films for feed placement, with every legible pixel verified against platform crop and claim policy before delivery.

Brand

Narrated films

Explainers, product films and founder pieces. Scripted, voiced, scored and cut.

Recurring

Character and UGC

On screen personas held to a maintained canon, so a character stays the same person across a campaign.

Stills

Key art and casting

Key art, casting sheets and shoot class stills, produced from the same canon as the moving work.

Selected work

The reel

Ten productions, roughly four seconds each. Short films, music videos and ads, in the order they were made to be watched.

Showreel // 37 seconds // sound on

Three of them, in full frame.

Short film A lone rider on horseback moving through a red rock canyon

Road Back

Narrative short. Multi shot coverage on location, cut to a declared timebase with a full narration and score pass.

Music video An artist in a western shirt and hat leading a black horse across a ranch

Cowboys Wear Stetsons

Music video. Performance and narrative coverage held to a single character across every shot, mixed against the master.

Ad A woman working at a laptop in a bright modern office

Four Years

Vertical ad film. Two performers, scripted and lip synced, verified against platform crop and claim policy before release.

Also in the catalogue: short films, further music videos, and product films across a range of briefs.

How it runs

You approve before we spend

The pipeline holds a recorded approval gate ahead of its most expensive stage. Nothing costly happens until you have signed off on what it will look like, and if anything changes after that, it returns to the gate automatically.

1

Treatment

We agree the brief, the constraints and the cap in writing before anything is made.

2

Stills and casting

You see frames and casting before a single second is animated. This is the approval gate.

3

Production

Shots, voice, score and mix, assembled against a declared timebase.

4

Quality gates

Every deliverable is checked by machine, not by eye, against platform crop, claim policy, loudness and continuity.

5

Delivery

Finished masters, plus the proof sheets showing exactly what was verified.

Next step

Tell us what you are making

Bring a track, a script, a product or a rough idea. A consultation covers scope, lane, timeline and a derived quote. No obligation and no pressure.

Schedule a consultation

Capacity is deliberately limited so that work in progress keeps its attention. If we are full we will say so.